Siobhan O'Flynn's 1001 Tales http://1001tales.posterous.com tracing the roots & tendrils of storytelling today posterous.com Sun, 05 Dec 2010 05:42:00 -0800 Great Case Study: Tommy Pallotta presents Collapsus « from The Pixel Report http://1001tales.posterous.com/great-case-study-tommy-pallotta-presents-coll http://1001tales.posterous.com/great-case-study-tommy-pallotta-presents-coll

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http://files.posterous.com/user_profile_pics/2024188/Screen_Shot_2012-06-07_at_5.01.45_PM.png http://posterous.com/users/3sOfsD8qBu5X Siobhan O'Flynn narrativenow Siobhan O'Flynn
Fri, 12 Nov 2010 17:54:00 -0800 If you haven't played this yet..."Rotoscoping an Energy Crisis: Exploring the World of Collapsus" http://1001tales.posterous.com/if-you-havent-played-this-yetrotoscoping-an-e http://1001tales.posterous.com/if-you-havent-played-this-yetrotoscoping-an-e
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Excerpt:

By Michael Andersen, originally posted at ARGNet

"In March of 2010, the Dutch broadcasting company VPRO released the documentary Energy Risk as part of its Future Affairs programming. The Dutch-language documentary explored the impending transition from fossil fuel to alternative energy sources.

Recognizing that the average documentary viewer is over the age of 55, the network approached SubmarineChannel to create a more engaging experience that would appeal to younger audiences. Tommy Pallotta was brought on board to direct the experience, and the Collapsus experience was born.

Staying true to the project’s documentary roots, Collapsus presents a global narrative that plays out in the near-future. Told through the eyes of activist vlogger Vera and a cast of supporting characters, Collapsus depicts a complex world of profiteering, geo-political maneuvering and conspiracy revolving around dwindling oil reserves.

Stylistically, the experience combines live-action film with rotoscoped scenes that should be familiar to viewers of Pallotta’s previous projects, Waking Life and A Scanner Darkly. Pallotta notes that “we settled on a hybrid of live action and animation as an aesthetic choice, but also one made for time and budget. The story takes place all over the world so we had to find a way to tell a global story that didn’t show the limitations we had....”

Read the full post:

http://www.wired.com/magazine/2010/11/exploring-the-world-of-collapsus-with-d...

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